{"id":2419,"date":"2026-04-15T16:01:31","date_gmt":"2026-04-15T16:01:31","guid":{"rendered":"https:\/\/rafaelpedrosadorado.com\/?page_id=2419"},"modified":"2026-04-26T11:10:14","modified_gmt":"2026-04-26T11:10:14","slug":"about","status":"publish","type":"page","link":"https:\/\/rafaelpedrosadorado.com\/es\/about\/","title":{"rendered":"About"},"content":{"rendered":"
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About<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Caminar es un elemento fundamental en mi pr\u00e1ctica. Durante mis paseos cotidianos, exploro mi relaci\u00f3n con el entorno y observo c\u00f3mo se crean, se delimitan y se utilizan los espacios. Me centro en los l\u00edmites f\u00edsicos \u2014especialmente en las vallas\u2014 y en c\u00f3mo estos definen los caminos y organizan los espacios. Me interesan sus formas, materiales y ubicaciones, pero tambi\u00e9n sus implicaciones sociales y pol\u00edticas.<\/span><\/p>

A trav\u00e9s del dibujo y la pintura, exploro el lenguaje y la materialidad de las vallas en distintos entornos, como los caminos que bordean la orilla sur del r\u00edo T\u00e1mesis y en zonas suburbanas. Mediante mi trabajo, me intereso por los significados ambiguos de estas estructuras, explorando la contradicci\u00f3n de conceptos como la presencia y la invisibilidad, la rigidez y la temporalidad, la interrupci\u00f3n y la repetici\u00f3n, y el espacio p\u00fablico y privado. Abordo las vallas como umbrales: elementos de transici\u00f3n que se sit\u00faan entre estas condiciones.<\/span><\/p>

El proceso y la materialidad son fundamentales en mi trabajo. Combino elementos gr\u00e1ficos, formas pict\u00f3ricas y t\u00e9cnicas de frottage donde el gesto, la textura y la acumulaci\u00f3n de trazos ponen de relieve el trabajo f\u00edsico de la creaci\u00f3n. Durante el proceso creativo, exploro las sensaciones de movimiento y tr\u00e1nsito a trav\u00e9s de colores, formas y l\u00edneas. Al mismo tiempo, busco transmitir la experiencia corporal de caminar y los encuentros con los l\u00edmites mediante t\u00e9cnicas de engofrado, transfiriendo las texturas de las vallas al tejido, creando vol\u00famenes sobre el lienzo.<\/span><\/p>

Mi trabajo funciona como un mapa de las sensaciones de mis paseos, donde las diferentes capas se superponen y muestran m\u00faltiples formas de mirar, de moverse, de permanecer en el medio, de saltar entre l\u00edneas, de ocupar el volumen o dibujar un nuevo espacio.<\/span><\/p>

Concibo caminar como una forma de cuestionar y redefinir los l\u00edmites. En combinaci\u00f3n con mi pr\u00e1ctica y mi investigaci\u00f3n, esto me permite experimentar los espacios como algo fluido, inestable y abierto a nuevas interpretaciones.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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CV<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Solo Exhibitions<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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  • 2025<\/strong> | Aperitivos del paisaje, Ficciones. Murcia, Spain<\/li>
  • 2024<\/strong> | Colour Motion, Picture House, London U.K.<\/li>
  • 2023<\/strong> | M@ Sensaciones de Ida y Vuelta. CEART, Madrid Spain.<\/li>
  • 2022<\/strong> | Colindante Verde, Ficciones. Murcia Madrid<\/li><\/ul>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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    Collective exhibition<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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    2025<\/strong><\/p>

    • How the lights gets in, The Marylebone Gallery. London U.K.<\/li>
    • The Drift of the Floating Dock, Simmons Coffee. London U.K.<\/li><\/ul>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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      2024<\/strong><\/p>

      • Untie-Freeze 8 Cave Pimlico London Uk.<\/li>
      • The Entranced Essence, Rupturexibit. London Uk<\/li><\/ul>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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        2023<\/strong><\/p>

        • Lawless Imagination, Rupturexibit. London Uk<\/li>
        • Untie-Freeze 7 Cave Pimlico London Uk.<\/li>
        • ING Discening Eye, Chris Levine’s Selection, Mall Gallery, London Uk<\/li><\/ul>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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          2022<\/strong><\/p>

          • Untie-Freeze 6 Cave Pimlico London Uk.<\/li>
          • Above and Below, Artizangallery. Torquey, Uk<\/li>
          • 73 Summer Exhibition Chelsea Art Society, London, Uk<\/li><\/ul>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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            Formation<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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            • 2024- 2026<\/strong> | MA Fine Arts, City and Guilds Art School. London Uk<\/li>
            • 2015<\/strong> | CAP Picture Framer, Magma Formation. Marseille, France.<\/li>
            • 2000- 2005<\/strong> | Fine Art Degree, Complutense University of Madrid. Spain<\/li><\/ul>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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              \n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

              About Walking is central to my practice. On everyday walks, I explore my relationship with the surroundings and observe how spaces are created, limited and used. I focus on physical boundaries\u2014particularly fences\u2014and how these define pathways and organise spaces. I am interested in their forms, materials and locations as well as\u00a0 their social and political […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-2419","page","type-page","status-publish","hentry"],"yoast_head":"\nAbout -<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/rafaelpedrosadorado.com\/es\/about\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"About -\" \/>\n<meta property=\"og:description\" content=\"About Walking is central to my practice. On everyday walks, I explore my relationship with the surroundings and observe how spaces are created, limited and used. 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