{"id":2576,"date":"2026-04-23T17:42:41","date_gmt":"2026-04-23T17:42:41","guid":{"rendered":"https:\/\/rafaelpedrosadorado.com\/?page_id=2576"},"modified":"2026-08-28T07:41:50","modified_gmt":"2026-08-28T07:41:50","slug":"work-on-paper","status":"publish","type":"page","link":"https:\/\/rafaelpedrosadorado.com\/es\/work-on-paper\/","title":{"rendered":"Works on paper"},"content":{"rendered":"
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Works on paper<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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La presi\u00f3n que ejercen dos superficies una contra otra, crea volumen y, con \u00e9l, espacio. Lo que queda en el papel es el registro de un contacto: algunas partes son tranferidas, otras no.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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En los engofrados no hay color ni l\u00ednea. La estructura existe \u00fanicamente como relieve. Las obras en acr\u00edlico y grafito hacen lo contrario: en ellas la l\u00ednea se impone, y el color determina qu\u00e9 queda abierto y qu\u00e9 queda cerrado. En ambos casos, el inter\u00e9s es el mismo. Si se repite una estructura suficientes veces, deja de percibirse como un obst\u00e1culo y empieza a percibirse como ritmo.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Fences I<\/em>. Acrylic and graphite on paper. 40 x 50 cm, 2025<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Fences II<\/em>. Acrylic and graphite on paper. 40 x 50 cm, 2025<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/section>\n\t\t

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Fences III<\/em>. Acrylic on paper. 40 x 50 cm, 2025<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/section>\n\t\t

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Embossing test on Somerset paper, 30 x 20 cm. 2025<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/section>\n\t\t

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Embossing cardboard on Somerset paper, 50 x 40 cm. 2025<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

Works on paper The pressure of two surfaces against each other creates volume, and with it space. What stays on the paper is the record of a contact: some parts come through, others don’t. In the embossings there is no colour and no line. The structure exists only as relief. The works in acrylic and […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-2576","page","type-page","status-publish","hentry"],"yoast_head":"\nObra sobre papel | Rafael Pedrosa Dorado<\/title>\n<meta name=\"description\" content=\"Estampaciones en relieve y obra en acr\u00edlico y grafito sobre papel, hechas presionando dos superficies para registrar ese contacto.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/rafaelpedrosadorado.com\/es\/work-on-paper\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Obra sobre papel | Rafael Pedrosa Dorado\" \/>\n<meta property=\"og:description\" content=\"Estampaciones en relieve y obra en acr\u00edlico y grafito sobre papel, hechas presionando dos superficies para registrar ese contacto.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/rafaelpedrosadorado.com\/es\/work-on-paper\/\" \/>\n<meta property=\"article:modified_time\" content=\"2026-08-28T07:41:50+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/rafaelpedrosadorado.com\/wp-content\/uploads\/2026\/04\/Valla-2.jpg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Tiempo de lectura\" \/>\n\t<meta name=\"twitter:data1\" content=\"2 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/rafaelpedrosadorado.com\/work-on-paper\/\",\"url\":\"https:\/\/rafaelpedrosadorado.com\/work-on-paper\/\",\"name\":\"Obra sobre papel | Rafael Pedrosa Dorado\",\"isPartOf\":{\"@id\":\"https:\/\/rafaelpedrosadorado.com\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/rafaelpedrosadorado.com\/work-on-paper\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/rafaelpedrosadorado.com\/work-on-paper\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/rafaelpedrosadorado.com\/wp-content\/uploads\/2026\/04\/Valla-2.jpg\",\"datePublished\":\"2026-04-23T17:42:41+00:00\",\"dateModified\":\"2026-08-28T07:41:50+00:00\",\"description\":\"Estampaciones en relieve y obra en acr\u00edlico y grafito sobre papel, hechas presionando dos superficies para registrar ese contacto.\",\"breadcrumb\":{\"@id\":\"https:\/\/rafaelpedrosadorado.com\/work-on-paper\/#breadcrumb\"},\"inLanguage\":\"es\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/rafaelpedrosadorado.com\/work-on-paper\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\/\/rafaelpedrosadorado.com\/work-on-paper\/#primaryimage\",\"url\":\"https:\/\/rafaelpedrosadorado.com\/wp-content\/uploads\/2026\/04\/Valla-2.jpg\",\"contentUrl\":\"https:\/\/rafaelpedrosadorado.com\/wp-content\/uploads\/2026\/04\/Valla-2.jpg\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/rafaelpedrosadorado.com\/work-on-paper\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Portada\",\"item\":\"https:\/\/rafaelpedrosadorado.com\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Works on paper\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/rafaelpedrosadorado.com\/#website\",\"url\":\"https:\/\/rafaelpedrosadorado.com\/\",\"name\":\"Rafael Pedrosa Dorado - 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